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The “strange loop” of the title, as Jackson explained in his off-Broadway program note, was created by cognitive scientist Douglas Hofstadter to “theorize the self as merely a collection of meaningless symbols mirroring back on their own essences in repetition until death. it also features the best, most show-stopping reincarnation of a celebrity ever.Īs the musical goes on, we are aware that Usher feels eternally, grindingly trapped. Jackson, whom The Daily Beast interviewed in July 2019 when the musical was playing off-Broadway at Playwrights Horizons, are channeled through Jaquel Spivey who has taken on the role as lead character Usher, wanting “to show what/It’s like to live up here/And travel the world in a/Fat, Black queer body.” For around 100 minutes an audience watches as Usher questions everything around him: racism, sexuality, family, coming out, success, his body, attractiveness, ambition, religion, and trauma (and I’ve probably forgotten something so let’s just amend that to *everything*).Īnd besides the extremely moving, searing stuff. Saturday Night, hopefully says something about what an evolving ecology of Broadway can look like.
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The fact this reporter saw this one night, and the next day Billy Crystal in Mr. Part of the joy of watching the Pulitzer Prize-winning A Strange Loop on Broadway is precisely because of where we are sitting and what we are watching: this show, about the life and thoughts of a creative, questioning young queer Black man, is being performed right here right now (at the Lyceum Theatre, booking to September 4) in front of a Broadway audience.